Show Notes:
"The Voice Suite" based on the score from the radio play The Voice by David Butler
~~~
"Look at the massacre on cable
But you know it won't happen here
We're all too busy watching massacres on cable
Oh, yeah..."
~~~
dreaming dreaming dreaming dreaming dreaming lying down
| Time | Artist | Song Title | Album | Label | Year |
|
2:01 pm
|
David Shea | Chamber Symphony #1 | Classical Works | Tzadik | 1998 |
|
2:23 pm
|
David Shea | The Voice Suite | Classical Works | Tzadik | 1998 |
|
setbreak
|
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|
3:02 pm
|
Dweezil Zappa | Inca Roads [excerpt] | |||
|
setbreak
|
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|
3:03 pm
|
Morton Subotnick | Silver Apples of the Moon Part One | Silver Apples of the Moon | Nonesuch | 1967 |
|
3:19 pm
|
The National | I Am Easy To Find | I Am Easy to Find (new) | 4ad | 2019 |
|
3:24 pm
|
Robyn Hitchcock | Filthy Bird | Moss Elixer | Warner Bros. | 1996 |
|
setbreak
|
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|
3:31 pm
|
Burial | Shell of Light | Untrue | Hyperdub | 2007 |
|
3:35 pm
|
Tool | Intension | 10,000 Days | Volcano | 2006 |
|
3:42 pm
|
Pink Floyd | Any Colour You Like | Live at Wembley 1974 | ||
|
3:51 pm
|
King Crimson | Untitled | Live at Kursaal 2000 | ||
|
setbreak
|
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|
4:00 pm
|
The Tragically Hip | Wild Mountain Honey | Music @ Work | Sire | 2000 |
|
4:04 pm
|
The Grateful Dead | Terrapin Station | To Terrapin: Hartford '77 | Rhino | 2009 |
|
4:15 pm
|
Frank Zappa | Chunga's Revenge | Trance-Fusion | Zappa Records | 2006 |
|
4:22 pm
|
David Sylvian & Robert Fripp | 20th Century Dreaming | The Road to Graceland | DGM | 1993 |
|
setbreak
|
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|
4:36 pm
|
King Crimson | The Power to Believe Pt II | The Power to Believe | DGM | 2003 |
|
4:41 pm
|
King Crimson | The Power to Believe Pt III | The Power to Believe | DGM | 2003 |
|
4:45 pm
|
King Crimson | The Power to Believe Pt IV | The Power to Believe | DGM | 2003 |
|
4:47 pm
|
Electric Blanket (local) | Devil on My Shoulder | Viper | [self-released] | 2018 |
|
4:50 pm
|
Max Romeo & The Upsetters | Chase the Devil | War Ina Babylon | Universal Island | 1976 |
|
4:54 pm
|
Khruangbin | Como Me Quieres | Live at Pitchfork 2018 | ||